In the intricate world of Canadian artist Caroline Larsen's (b. 1980 Toronto, Canada) still-life oil compositions, she unveils elaborate bouquets and finely detailed vases, unveiling a distinctive technique at the core of her artistic approach. Employing her skillful application of thick daubs of oil paint, Larsen achieves a neo-impressionistic effect that, intriguingly, is often mistaken for woven textiles. This unique method not only serves as a hallmark of her artistic style but also creates a textured surface reminiscent of textile, craft, and embroidery, introducing a sculptural dimension that underscores the profound depth of her artistic exploration.
Furthermore, Larsen's recent forays into oil and acrylic landscapes add another layer to her artistic repertoire, provoking a diverse range of emotions. This shift underscores the Canadian artist's mastery in manipulating color and texture, fostering a profound resonance with viewers on a deeply personal level. Guided by her encounters in day-to-day life, cherished memories, and an enduring fascination with folk, craft, and outsider art, Larsen embarks on a thematic journey that encompasses vibrant flora, the allure of folklore aesthetics, captivating landscapes, and iconic cultural moments.
Caroline Larsen's significant presence in the art world is underscored by a rich exhibition history. Solo exhibitions at renowned venues like Andrew Rafacz in Chicago, Craig Krull Gallery in Santa Monica, and The Hole NYC in New York City showcase her mastery in crafting visually striking paintings. Notably, Larsen contributed to "The Beyond: Georgia O’Keeffe" at the North Carolina Museum of Art, curated by Crystal Bridges Museum of American Art. Her participation in group shows also involve the Guerrero Gallery and Greenpoint Terminal Gallery, coupled with inclusion in esteemed collections such as the Dean Collection, Aisthti Foundation, and Microsoft.